Digital Man

Rush — Tom F#

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Intro: ([F#] [E])

[E] [F#]

His world is under observation, we monitor his station

[E] [F#]

Under faces and the places, where he traces points of view

([F#] [E])

[E] [F#]

He picks up scraps of conversation, radio and radiation

[E] [F#]

From the dancers and romancers, with the answers but no clue

([D] [F#])

[D] [F#]

He'd love to spend the night in Zion

[D] [F#]

He's been a long while in Babylon

[D] [F#]

He'd like a lover's wings to fly on

[D] [F#]

To a tropic isle of Avalon

([F#] [E])

[E] [F#]

His world is under anesthetic, subdivided and synthetic

[E] [F#]

His reliance on the giants, in the science of the day

([F#] [E])

[E] [F#]

He picks up scraps of information, he's adept at adaptation

[E] [F#]

Because for strangers and arrangers, constant change is here to stay

([D] [F#])

[D] [F#]

He'd love to spend the night in Zion

[D] [F#]

He's been a long while in Babylon

[D] [F#]

He'd like a lover's wings to fly on

[D] [F#]

To a tropic isle of Avalon

([D] [E] [G])

[D] [E]

He's got a force field and a flexible plan, he's got a date with fate in a black sedan

[G] [D]

He plays fast forward for as long as he can, but he won't need a bed

[E] [G] [D]

He's a digital man

Solo : ([F#] [D] [C#m] [A] [Ab] [F#])

([D] [F#])

[D] [F#]

He'd love to spend the night in Zion

[D] [F#]

He's been a long while in Babylon

[D] [F#]

He'd like a lover's wings to fly on

[D] [F#]

To a tropic isle of Avalon

([D] [E] [G])

[D] [E]

He's got a force field and a flexible plan, he's got a date with fate in a black sedan

[G] [D]

He plays fast forward for as long as he can, but he won't need a bed

[E]

He's a digital man

[G] [D]

He plays fast forward for as long as he can, but he won't need a bed

[E]

He's a digital man

[G] [D]

He plays fast forward for as long as he can, but he won't need a bed

[E]

He's a digital man

[G] [D]

He plays fast forward for as long as he can, but he won't need a bed

[E]

He's a digital man

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